Already you're probably thinking "how does that. However the IMG tab is not limited to audio.
With this, you can import any sample you'd like, and re-synthesize it into a disgustingly filthy growl, or stretch it into digital robotic beauty. Its purposes range from simple things like leads, plucks, pads, and basses, but it has a really, really big ace up its sleeve the IMG tab. I wish I could hug it and cuddle it, but that's impossible with digital software, unfortunately. It's the perfect plugin for rigorous and extensive sound design and can produce some of the most unique sounds you'll ever hear. Image-Line gave birth to Harmor in October of 2011, and its the definitive Jack-of-all-trades in my eyes.
Deep house fl studio harmor full#
Windows XP (SP2), Vista, Win7, Win8, Win8.1, Win10 - (32 & 64 Bit)ĢGhz AMD or Intel Pentium 3 compatible CPU with full SSE1 supportĭirectSound or ASIO compatible soundcard. If you don't understand it, visualize what it's doing, best way to learn! Watch how each partial evolves in the built-in spectrogram, a picture is worth a thousand words. Just like processing units, effect slots can be re-ordered. In the effects section you will meet all the usual suspects: distortion, chorus, delay and reverb, as well as the mighty Soundgoodizer based on the Maximus engine. Parts can be imported from other presets. Two independent parts (or “layers”) for even more complex sounds. Convert this to an image and edit each partial individually! Import a piece of audio and time-stretch or pitch-shift it (with formant and transient preservation).
Resynthesis or image-synthesis, Harmor features both. Processing being multi-threaded, extra CPU cores come in handy. Voices may be generating hundreds of harmonics in parallel and still not overload the CPU. Its efficency is in fact, comparable to that of subtractive synthesizers. Resynthesis can of course be tweaked, providing time stretching, pitch shifting, or less conventional manipulations of partials.Īnd of course, the result of the analysis can still be turned into an image for further editing.Īdditive synthesis is generally very CPU-consuming, but not Harmor's engine. The reproduction will be faithful, not a vague sound-alike as in many additive synthesizers. Get access to gain & pitch planes which you can tweak in the image editor of your choice, and import any bitmap, even if it wasn't designed to be turned into audio, it might still sound interesting.īeing an additive synthesizer, Harmor can resynthesize audio files as well. No human can (or even wants to) edit 500 envelopes, but editing 2D images, that we can do easily. If you need one of the 2 filter units processed after the blur unit, that's no problem.īecause it typically requires manipulating large amounts (up to 500 per voice) of partials over time, additive synthesis is hard to handle. Processing units can be rearranged in a semi-modular way. Through the same envelope/mappings, randomize any parameter or link it to key or velocity, and even fine-tune each unison voice independently. You wanted more, so also featured is the multipoint envelope editor of Sytrus fame, applied to over 40 parameters, in 2 independent parts. You don't just select filter types, you draw them. Its modules will look familiar to subtractive synthesizer enthusiasts: oscillators, filters & phasers, these are featured in Harmor but, because performed through additive synthesis, offer more freedom. Just like its little brother Harmless, Harmor is driven by a powerful additive synthesis engine. a powerful additive / subtractive synthesizer, image synthesizer as well as audio resynthesizer, Harmor.
We also cover the arrangement of the track, before detailing the processes of subtractive and additive mixing.įor the purposes of this course, it is recommended that you have the producer version of FL Studio, with all of its related plugins, like Harmor, PoiZone and Harmless, as these will be used throughout the course.Ī.i n.FL.Studio.12.TUTORiAL
Deep house fl studio harmor how to#
Using the built-in synths of FL Studio, we show you how to create percussion, sound effects and sweepers, as well as using them for basslines, leads and pad sounds. We start off by briefly covering some of the differences between FL Studio 12 and its predecessors, before using Drumaxx to create a simple house beat. Everything is covered, from drum production, to synth work, as well as mixing and mastering. Using the latest version of Image Line's FL Studio, we show you how to create a deep house track from scratch. Deep house is a popular genre right now, both in the mainstream and underground of electronic music.
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